Critic: Another Irrelevant Role, As Played Out For "Melania"

 Many critics such as John Semley at The New Republic gave the documentary "Melania" the thumbs-down. Those critics include the majority on Rotten Tomatoes.

But, for a documentary "Melania" proved to be a commercial success. The New York Times reports:

“'Melania' had the best result for a wide-release documentary, excluding concert films, since 2012, when the nature film “Chimpanzee” arrived to $10.7 million, after adjusting for inflation, according to Comscore data."

When it comes to film-making in this AI era when many of the moving parts can be taken over by technology commercial potential and actual results are what matter.

Critics could be becoming as irrelevant as the growing number of brilliant content-creators in this era of AI. The issue could be becoming: What creative activity can generate positive financial returns - and at what level? What the production or performance or publication is in quality or fitting what taste could be mutating into Doesn't-Matter?

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